“A production bursting with raw talent, featuring some of the finest vocals on Edinburgh’s amateur stage”
RENT is a searing rock musical from the 1990s that was only recently knocked out of Broadway’s top 10 longest running musicals of all time by Wicked. It follows the story of a group of friends dealing with love and loss against a gritty New York backdrop, and is loosely based on Giacomo Puccini’s opera La Bohème.
Local company Captivate Theatre’s version is a slick and minimalist endeavour, editing out many of the smaller roles and songs to focus more on the main characters themselves, rather than the community of artists they move within. Yet what’s lost in pulsing power in some of the bigger moments is made up for in subtle sensitivity and slickness elsewhere, making this a clean and refreshing take on a musical that’s been doing the rounds for decades. This stripped back approach also spawns some interesting interpretations in the musical numbers, such as Today 4 U, which is almost unrecognisable as a nigh-on a capella song, though somehow works within Director Tom Mullins’ overall vision.
Yet while the minimalist ideology of this production creates many unexpected delights, the main downfall of this show is the staging and use of space, which is far too small to effectively mount a musical of RENT’s epic stature – even with the cuts and styling carried out. Unfortunately, this results in too much awkwardness on stage too often, given how important movement and isolation are to several scenes. At times Mullins makes the action work well within the constraints – in Santa Fe and La Vie Boheme in particular, the scale of the choreography matches the music, space and overall mood, but more often than not, the overwhelming feeling is one of potential – how great this show could be in a venue where it could breathe and run free.
Despite this, this is a production bursting with raw talent, featuring some of the finest vocals on Edinburgh’s amateur stage. Megan Grace in particular delivers a real powerhouse performance in every scene and song as Joanne – not to mention nailing that riff in Seasons of Love. Alex Peters as Roger and Anna Macleod as Mimi combine to create some spine-tingling harmonies in their duet moments, and it’s a shame Grace Cowley doesn’t get more time to sparkle as Maureen after her raw and gutsy Over the Moon.
RENT will always be a fantastic show, and this slick and super-streamlined version is packed with highlights and the heart needed to make it soar. But I’d love to see it return with more depth and detail in a bigger venue to really be blown away.
Reviewer: Steve Griffin (Seen 19 August)